The Plan: Last week I planned to shoot sunrise primarily to capture the moon set. The weather cooperated though it was a little windy. The location decided upon worked well for this time of year due to the position of the moon. If photographed later in the summer, the moon would be too far to the right of the frame and even completely outside of the frame come late June when Summer officially arrives. This position can be attained again in Autumn, but I have not used The Photographers Emphemeris to determined the exact date.
The Coincidence: With a location decided upon and photographing the moon set the goal, I set out early in the morning. The convenient coincidence is the path of the Palouse River. Though the river snakes it way through the scene, one might assume it continues to snake in a similar manner below the bottom of the frame, especially with how the river bends. However, the path of the river that comes in from the lower left hand side is only there during the early spring run-off. I revisited previous photos I had taken in Summer and found that portion of the river is indeed dry, all but for a tiny pool. The river actually runs in from the left side of the frame and makes a 90 degree turn, resulting in the meandering seen here.
Needless to say, I was pleased with the outcome, especially learning of the coincidence of the river flow aiding my pre-planned photographic idea.
Palouse River Moonset, Spring
Technical Details: This photograph is the result of nine different exposures but 12 total files. Three of the darkest exposures taken were further decreased by -2 exposure compensation in ACR. The resulting 12 files were stitched, of which each image was a combination of four images (three HDR images of four files each were used) to capture highlight and shadow detail (4×3). In short, it is a multi-stitch panorama HDR image. The resulting stitch worked best as a 4×5 aspect ratio instead of 2×3; I had too much overlap on my panorama images.
The 10-day forecast shows highs in the low 50s; it appears Spring is near. Though the Inland Northwest saw a brief break in January from winter weather — especially here in the Palouse with a lengthy inversion — snow and cold came back with a vengeance in February. I’ve shared a few photos already but here are the last three to share from the snowy month of February 2014.
One final surge of Winter (hopefully the last) was experienced in early February here on the Palouse. Good snowfall, frigid temperatures, and good light all came together for a good week of photography. Though I took numerous images, here is a sampling of panoramas from this Winter. Some are cropped to a 2:1 aspect ratio (first and last images) while the remainder are multiple images taken with a 400mm and then stitched.
The past 10 days has seen winter’s reemergence in the Palouse. Snow first led to a meeting among myself, Peyton Hale, and Grant Meyer. Our destination was Steptoe; our hope was the fog seen along the highway would have breaks, kindly giving us fantastic conditions. Fortunately the weather cooperated for us stingy photographers and provided a wonderful dawn. Here are three photos from that morning.
Photos and Details:
(1) Shot with 70-200 + 1.4 extender and cropped after further consideration. Tekoa Mountain is visible in the distance just above the fog.
Snowy Hillside and Fog
(2) Two shot (landscape) panorama stitched in Photoshop. This was shot before sunrise, providing very soft, low contrast light.
Foggy Dawn from Steptoe, Winter
(3) My favorite image. Three shot (portrait) panorama stitched in Photoshop. No filtration used. The earth shadow was quite strong and complimented the receding fog and snow covered hills. I find a three shot portrait-oriented panorama crops very well to the native 2:3 aspect ratio of my camera.
The 4th of January was my first photographic jaunt of the new year. The weather seemed photogenic most of the day so I decided to drive around in the afternoon and stay out for sunset. Unfortunately clouds stultified the sunlight as I went out but I could see a wide enough gap between cloud and horizon toward the west. I continued driving a route I had many times before with little hope of sunlight breaking through the clouds. I decided, despite the slight wind, to head up to the windmills north of Steptoe and await the sunset. I was definitely rewarded and had about 15 minutes of exceptional light to capture from my high vantage point. I kept a 400mm lens on to isolate the farmland as well as possible. These two photos are my favorite. (No filtration was used; I had to desaturate some colors since they were so strong.)